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Chuck Close Self Portrait 1997

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Close had been known for his skillful brushwork as a graduate student at Yale University. There, he emulated Willem de Kooning and seemed "destined to become a third-generation abstract expressionist, although with a dash of Pop iconoclasm". After a period in which he experimented with figurative constructions, Close began a series of paintings derived from black-and-white photographs of a female nude, which he copied onto canvas and painted in color. As he explained in a 2009 interview with Cleveland, Ohio's The Plain Dealer newspaper, he made a choice in 1967 to make art hard for himself and force a personal artistic breakthrough by abandoning the paintbrush. "I threw away my tools", Close said. "I chose to do things I had no facility with. The choice not to do something is in a funny way more positive than the choice to do something. If you impose a limit to not do something you've done before, it will push you to where you've never gone before. " One photo of Philip Glass was included in his resulting black-and-white series in 1969, redone with watercolors in 1977, again redone with stamp pad and fingerprints in 1978, and also done as gray handmade paper in 1982.

Chuck Close Self Portrait 1997
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Chuck Close Self Portrait 1997
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Chuck Close Self Portrait 1997
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Chuck Close Self Portrait 1997
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