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Lizabeth Scott

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Though the public response to Scott was generally favorable during the Paramount years, the film critics were less so, repeatedly making unfavorable comparisons to Lauren Bacall and Tallulah Bankhead,[128][129][130] beginning with Bob Thomas' March 1945 comment about her screen test: "Her throaty voice may well make Lauren Bacall sound like a mezzo soprano. "[131] When the most prominent critic of the era, Bosley Crowther of The New York Times, gave a bad review of You Came Along (1945),[132] Scott's film debut, she recalled, "Being very young and naïve at the time, I didn't know you weren't supposed to do such things, so I called him up and complained. I told him how hard everyone worked to make such a beautiful movie, and I couldn't understand how he could be so cruel. I must say he took it awfully well, and was very kind to me. " Nonetheless, in his review of I Walk Alone (1948), he stated, "As the torch singer . . . Lizabeth Scott has no more personality than a model in the window of a department store. "[133] He also wrote of "a frighteningly grotesque Lizabeth Scott, who is supposed to represent a cabaret singer" in Dark City (1950). [134]

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